Цитата #808 из книги «"Этаж смерти" with W_cat»

He stuck out his hand to shake on it and he nearly fooled me. Right at the last split second I pulled my own hand back a fraction and closed around his knuckles, not his palm. It’s an old army trick. They go to shake your hand, but they’re aiming to crush it. Some big macho ritual. The way out is to be ready. You pull back a fraction and you squeeze back. You’re squeezing their knuckles, not the meat of their palm. Their grip is neutralized. If you catch it right, you can’t lose.

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She handed it to me with that brusque apologetic sympathy that dental nurses use. I took it in my cuffed hands. Squinted down to make sure it was the right way up and held it under my chin. The woman took an ugly camera out of the case and sat opposite me. She rested her elbows on the table to brace the camera. Sitting forward. Her breasts rested on the edge of the table. This was a good-looking woman. Dark hair, great eyes. I stared at her and smiled. The camera clicked and flashed. Before she could ask I turned sideways on the chair for the profile. Held the long number against my shoulder and stared at the wall. The camera clicked and flashed again. I turned back and held out the number. Two-handed, because of the cuffs. She took it from me with that pursed grin which says: yes, it’s unpleasant, but it’s necessary. Like the dental nurse.

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“So Blind Blake stopped off here?” I prompted him. “And your sister sang with him?”

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“So what do you make of that?” I asked them.

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I WAS WOKEN UP BY BRIGHT LIGHTS COMING ON. THE PRISON had no windows. Day and night were created by electricity. At seven o’clock the building was suddenly flooded with light. No dawn or soft twilight. Just circuit breakers thrown shut at seven.

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